In the process of unique visual creation, which is objectified in stone as the hardest of all materials, Olivera offers a riddle and a game. The answers are pristine pursuit and urge to communicate with the worldly and the extraterrestrial and enoble them with what has been experienced and learned. White stone has been particularly highlighted in her opus as Olivera explores the white in white and searches for a light that cannot be seen or caught.
Prof. Dr. Violeta Cvetkovska Tomanović

Movements and authenticity of Olivera’s strings of stones tell of a journey into oneself, of self-recognition through ancient magic symbols of a man who recognises the equality of entrance into the Temple of God on one side and into the interspatial dimensions of the embodiment of the Temple of God in the Inwardness on the other as the only Truth. The poetics of Olivera’s mosaics is in striving towards the Resurrection of Oneself through the clarity of mind in unison with the understanding of the stony game as a natural condition.
Aleksandra Racić, academic painter